中国画经过20世纪“’85美术思潮”的荡涤,其绘画观念、绘画形式、表现内容和描绘技巧,都已经发生了很大的改变。即便是那些看似对传统中国画形式内容以及表现方式近乎模仿的继承,事实上只要仔细品解,仍然有看着异乎寻常的创意和新颖的感觉。当然,这是针对那些在当代中国画领域中努力探索和创作,既对中国画传统有较深理解又牢固地掌握了传统中国画功力,并能将时代审美要求和需要融入其中,创造出了独特 After the drafting of the 20th century ’85 ’thought of art’ in China, the concept of painting, the form of painting, the content of expression and the technique of portrayal have all undergone great changes. Even those who seem to imitate the traditional Chinese painting form and mode of expression almost imitate the succession, in fact, as long as carefully discerning, still look at the exotic creative and novel feeling. Of course, this is aiming at those who are hard at exploring and creating in the field of contemporary Chinese painting. They not only have a deeper understanding of traditional Chinese painting and firmly grasp the skill of traditional Chinese painting, but also integrate the aesthetic requirements and needs of the times to create a unique