从比较诗学的视野出发,通过分析德国语言和文学走向成熟时所面对的模仿和创造、自身与他者的相关悖论,尤其是以荷尔德林的文论和诗歌作品为参照,来思考中国现代诗歌如何建立法度的问题。我们试图从文体学、语言学、诗歌进行的方式以及纯粹概念四个层面建构出一个对诗歌进行严格“法度计算”的评论模型,以此推动现代汉诗走向自觉的写作。 From the perspective of comparative poetics, through analyzing the imitation and creation faced by the German language and literature maturity, the related paradoxes of himself and others, especially based on Holderlin’s literary theory and poetry, To think about how to establish the law in modern Chinese poetry. We try to construct a critique model of poetry strictly from the aspects of stylistics, linguistics, poetry and pure concept, so as to promote the modern Chinese poem toward conscious writing.