立场与概念:十示系列的创作始于1988年,那个时期中国现代艺术如同整个中国社会,正经历着西方当代文化的冲击与对中国传统文化反思的转折过程中。我需要消除掉自己背负的传统文化的包袱和西方现代主义初期纯绘画性的影响。回到艺术的起点,从零重新开始;记得当时第一件作品是红、黄、蓝三原色,选择十字恰恰因为它是一个泛含义的符号,而十字线曾在我从业经历中,无数次被用来标示多次套色的过程中必须遵循的坐标式的精确细线,它只是印刷业的技术术语与符号,没有任何用象征手法可以获得联想的空间,我要滤去所有实际性,使绘画仅仅回到形式的本质,形式即精神。“十示”视觉符号先入为主地存在带普遍性的 Position and Concept: The creation of the ten series began in 1988, during which Chinese modern art, like the entire Chinese society, is experiencing the impact of Western contemporary culture and the reflection on Chinese traditional culture. I need to eliminate the burden of traditional culture and the purely artistic influence of the early Western modernism. Back to the starting point of art, starting from scratch; remember the first work was the red, yellow and blue primary colors, the choice of cross precisely because it is a symbol of pan-meaning, while the crosshairs in my experience, numerous times being Used to mark the process of multiple sets of colors must follow the precise coordinates of the thin line, it is only the technical terms and symbols of the printing industry, there is no symbolic way to get the association of space, I want to filter out all the practicality, so that painting Only to return to the essence of form, the form of spirit. “Ten sign ” visual symbols preconceived existence of universal