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经反复核对照片上的铭刻痕迹,长沙“12·29”盗墓案移交漆器上漆书、刻画、烙印三种铭刻形式均系在漆器漆膜上形成,且刻画与刻画、刻画与漆书、刻画与烙印间有重叠现象,由此反映出铭文形成于漆器制作后,也反映了各类铭刻形式的先后关系。联系铭文内容可知,与生产有关的铭文最早形成,与储藏有关的铭文其次,与使用有关的铭文最晚,且同一机构的铭刻形式不拘一种。
After checking the inscriptions on the photo repeatedly, the inscriptions on the lacquer ware of Changsha “12.29” were handed over to lacquer lacquer book, and the three inscription forms of lacquer ware were formed on the lacquer lacquer film, and the painting and depicting, portraying and lacquer book , There is an overlap between the portrayal and the imprinting, which reflects that the inscription was formed in the lacquerware production and also reflects the successive relations of various inscription forms. Contact with the contents of the inscription shows that the production-related inscriptions first formed, and storage-related inscriptions Second, the use of related inscriptions at the latest, and the same body engraved in a form of informality.