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第一次读到青年画家郭东健的画作,是福建美术出版社的同行给我带来的几张照片,看了以后并没有留下多少深刻的印象。这次有机会见到原作,却一下子抓住了我。我在画幅之前驻足良久,生发出了不少感想。 中国画的人物画曾经有过辉煌的历史,深沉博大的汉唐雄风至今仍然使今天的我们引为骄傲和自豪。明清以降,中国画人物画趋于颓势,山水、花鸟画后来居上,直至20世纪中国美术革命,不少立志振兴中国美术的优秀画家积极吸收西方艺术之所长,将西方写实主义绘画引进中国,改造传统人物绘画,
For the first time, I read the painting of young artist Guo Dongjian, a few photos brought to me by colleagues from Fujian Fine Arts Publishing House. After reading it, I did not leave much impression. This time I had the opportunity to see the original, but at a moment caught me. I stopped for a long time before the frame, gave birth to a lot of feelings. The Chinese painting portraits once had a glorious history. The profound and profound Han and Tang dynasties still lead us today to be proud and proud of us. After the Ming and Qing dynasties, the Chinese painting portraits tended to decline. After the landscape and flowers and birds paintings came to the fore, until the 20th century Chinese art revolution, many outstanding painters who determined to rejuvenate Chinese fine arts actively absorbed western art directors, introduced Western realist paintings into China, Traditional figure painting,