沈尹默的书法作品,理性、平实、规范,以“二王”为基调。从他的很多作品中都可以看到笔法的严谨,从起笔开始,对运笔、收笔都比较在意,很少有松懈的笔画,结字也中规中矩,少有开合变化。也正是因为沈氏作品带有规范、严谨的书写作风,使得他没有白蕉笔下那份从容。但是,这种规范、严谨的帖学观,呈现了一位帖学开拓者对于帖学的担当,他的探索无疑赋予了近现代帖学更为理性和积极的内涵。从这个意 Shen Yinmo’s calligraphic works, rational, level, norms, to “two kings ” as the keynote. From many of his works, he can see the rigorous style of writing. Starting from the beginning, there are few penniless strokes for writing and collecting pen. The knot is quite satisfactory and has few changes. It is precisely because of Shen’s work with a standardized and rigorous style of writing, making him no share of white banana calm. However, this kind of normative and rigorous concept of postalism presents the role of a postal pioneer in postal study, and his exploration undoubtedly gives a more rational and positive connotation to modern postalism. From this meaning