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在世界电影史上，和黑人电影不同，由于印象安人主要是作为一种“特定历史险段”的产物，因而表现他们的电影题材相对比较单一，有时甚至都很难称其为一种“题材”，或许称之为一种“银幕陪衬”更合各适。在这个特殊背景下，出现印第安人形象最多的电影无疑首推美国的西部片，其他类型的电影偶有反映，也仅是擦边而已，无法与之相招并论。让敌们以西部片为主线，回溯一下电影中印的安人形象的发展与变迁吧。
In the history of world cinema, unlike the black films, since the filming of An Ann mainly serves as a product of “certain historical stages of risk,” the performance of their films is relatively monotonous and sometimes difficult to call them “themes ”, Perhaps called a“ screen foil ”more suitable fitness. Under this special background, the movie most appearing as Indians undoubtedly lays the emphasis on the western westerns of the United States. Other types of films are occasionally reflected and only scratched the surface of one another and can not be reconciled with them. Let the enemy take the western film as the main line and go back to the development and changes in the image of the benefactor in the film.