“戏谑化”审美特征,从本源上来说,可以追溯到被称为“戏仿”的艺术手段,是后现代文化精神背景下“喜剧”效果的衍生品。法国叙事理论家吉拉尔·热奈特认为,“戏仿”是一种“借用”的手段,通常指后现代作品中对于传统文学种类或者文本的借用,尤其是对于一些经典作品,比如神话、童话、莎士比亚戏剧等。而“解构”则是这种借用的根本目的,一方面体现为对现代社会生活本身的解构,另一方面则可以表现为对这些文类或文本本 “Banter ” aesthetic features, from its origins, can be traced back to the art means known as “imitation ” is a derivative of “comedy ” effect in the context of post-modern cultural spirit. French narrative theorist Gerald Gennett argues that “parody” is a “borrowed” method, usually referring to the borrowing of traditional literary genres or texts in postmodern works, especially for some classic Works, such as mythology, fairy tales, Shakespeare plays. However, “deconstruction” is the fundamental purpose of this borrowing. On the one hand, it reflects the deconstruction of the modern social life itself, on the other hand,