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没骨画,是指不用墨线勾形廓,而用墨或色彩直接涂染成形的一种传统绘画形式。当代没骨画则是在秉承传统没骨画的同时,吸收西方绘画元素,在构图、色彩、形式上都以以别样的画风展示在人们的眼前的一种中国画的一种表现技法。为传统绘画增添异样的风貌。没骨画发展到今天,应该说与传统绘画,特别是与传统文人绘画有着紧密的联系,蕴含着深厚的人文意蕴。可以说文人画与没骨画两者紧密相连,互相影响。随着绘画技法的发展,没骨画越来越受到众多画家的青睐,正在逐渐走向另一个高峰期,本文主要是从当没骨画与传统文人画的关系去探究当代没骨画的传统人文意蕴,为当代没骨画的创作与研究奠定基础。
No bone painting, refers to the hook shape without ink, but with ink or color direct coating forming a traditional form of painting. Contemporary painting without bone is a kind of expression technique of Chinese painting, which absorbs the elements of western painting and shows the composition, color and form with different styles while adhering to the traditional boneless painting. Add unusual style to traditional painting. No bone painting developed to this day, it should be said that with traditional painting, especially with traditional literati paintings are closely linked, contains a profound humanistic implications. It can be said that the literati painting is closely linked with the painting without drawing and affects each other. With the development of the techniques of painting, the painting without bone is more and more favored by many painters and is gradually moving to another peak. This article mainly probes into the contemporary non-painted traditional humanities from the relationship between the painting without drawing and the traditional literati painting Implication, lay the foundation for the creation and research of contemporary bone painting.