台湾高山族是一个能歌善舞的民族,早在三国沈莹所著的《临海水土志》上,就有关于高山族歌舞的记载。其民歌,舞蹈以繁浩、优美著称于世。其乐器,虽然显得较为简朴,原始,却也琳踯满目,它们保留了历史的风貌,反映了高山族本身的民族素质,且常与歌、舞浑然一体,故电形成了一种特色。如日月潭的杵乐,便是一种纯朴优美的歌、舞、乐,而尤以乐器——乐杵和落下筒令人嘱目。笔者近年来接触学习了高山族的一些音乐舞蹈资料,一方面感到美不胜收,一方面则感到其中某些富有特色的艺术竟然不受海峡的阻隔,而与大陆南方一些少数民族的艺术有某种程度的相似,如民歌音调踏 Taiwan’s Gaoshan is a singing and dancing nation, as early as the Three Kingdoms Shen Ying’s “Linhai Water and Soil”, there are records about the song and dance of Gaoshan people. Its folk songs, dance to Fan Hao, beautiful known to the world. Although their musical instruments are relatively simple and original, they are also full of dignitaries. They retain the historical style and reflect the national qualities of the Gaoshan people themselves. They often blend seamlessly with songs and dances, thus forming a special feature of electricity. Such as pestle music of the Sun Moon Lake, is a simple and beautiful song, dance, music, and especially instruments - music clubbing and drop tube is cause for concern. In recent years, the author has learned and learned some music and dance materials of the Gaoshan people. On the one hand, he feels that some of the distinctive arts are not blocked by the Straits, but to a certain extent has something to do with the arts of some minorities in the south of the mainland Similar to Folk Tune