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读唐维捷的小小说《周三爷》,第一个跳出脑海的词是“白描”。“白描”这词又引出一幅画,是将近20年前阿城画的周恩来像,白描的,像中的周恩来清癯、疲倦,仿佛在极重的压力下有着深深的忧虑。白描一词或许最初来自中国绘画,是指只用线条、不着色彩的技法。无论做画做文,都相通,所以文学中也有这手法。举人人皆知而选入中学语文课本的鲁迅《一件小事》和《孔乙己》,便是文学中白描的典范。用白描,就显得朴素。但,白描似乎又更要功力。要描一人,要写一物,无论是用白描,还是用别的方法,
Read Tang Weijie’s novel “Sunday”, the first word out of my mind is “White Description ”. The term “white drawing” leads to another picture of Zhou Enlai, a painting by artist A Cheng nearly 20 years ago. Like Zhou Enlai in the Qing Dynasty, he is tired and feels as though he has been deeply worried under extremely heavy pressure. Perhaps the term white drawing originally came from Chinese painting, which refers to the technique of using only lines and no coloring. No matter do painting writing, are the same, so this method also has in literature. Well-known and selected into high school language textbooks of Lu Xun “a trifle” and “Kong Yiji”, is a model of literary sketches. With white sketches, it seems simple. However, white sketches seem to be more skillful. To describe a person, to write a thing, whether it is a white sketch, or by other means,