骨雕《八十七神仙卷》是用1.5吨骆驼骨雕刻而成的长6米、高1.2米、宽0.6米,目前中国独一无二的巨型驼骨雕刻作品。作者董秉义先生是包头市博物馆高级工艺师。作品是根据徐悲鸿先生收藏的唐末宋初的古画《八十七神仙卷》精心创作的。这件作品仿佛是一首气势磅礴的交响诗,从整体到细部以娴熟的手法,流畅的线条浑然天成。本着忠于原作的基础以三维空间营造了各具神态的人物形象。祥云缭绕的广寒宫,飞舞的仙鹤,争奇斗艳的莲花生动逼真,八十七位神仙于船形骨干之上,惟妙惟肖。董秉义青年时代在北京象牙雕刻厂当学徒,由于大象是野生保护动物,象牙原料越来越少。为了保护、发展“中国牙雕”这门源远流长的民族艺术,他开始了对驼骨雕刻的探索,用了4年时间,克服了各种困难,于2004年初完成了《八十七神仙卷》巨型驼骨雕刻,驼骨雕刻也成为了他的独创,并 Bone sculpture “Eighty-seven immortal volume” is 1.5 tons of camel bone carved into a 6 meters long, 1.2 meters high and 0.6 meters wide, China’s unique giant camel bone sculpture. Author Dong Bingyi is Baotou City Museum of advanced technology division. Works are based on Mr. Xu Beihong collection of late Tang and early Song dynasty’s ancient painting “eighty-seven immortal volume” elaborate creation. This piece of work is like a magnificent symphonic poem, from the whole to the details of skilled techniques, smooth lines naturally. In the faithful to the original basis of the three-dimensional space to create a demeanor of the character image. Xiangyun around the cold palace, flying crane, contests of colorful lotus vivid, eighty-seven fairies on the ship-shaped backbone, vivid. Dong Bingyi was an apprentice in Beijing’s ivory carving factory in his youth. As the elephant is a wild animal, there are fewer and fewer ivory raw materials. In order to protect and develop the long history of national art of “Chinese Tooth Carving”, he began the exploration of camel’s carving in 4 years and overcame all kinds of difficulties. At the beginning of 2004, he completed “ ”Giant camel bone sculpture, camel bone sculpture has also become his original, and