“赋”是中国文学宝库中的精品,然而,它在英语世界的传播非常有限。在跨越时空和语言的重重障碍之后,赋在英语世界呈现出新的特点:文体特征缺失,优美音韵磨蚀,意象繁复难懂。这些新的特征引起了“美的丧失”“译犹不译”的争议,影响了赋体文学走向世界的进程。对于中国赋体文学的翻译,我们应有合理现实的态度:中国赋体文学在英语世界的新特征,正是译者在进退维谷间,斡旋协调的产物。赋体文学进入英语世界后,必然是一个不同于原文的、具有自身特点和独立价值的新的艺术品。 “Fu ” is a treasure of Chinese literature, however, its spread in the English-speaking world is very limited. After crossing the barriers of time and language and language, the conception in the English world shows new features: the lack of stylistic features, the erosion of beautiful phonology and the complicated and complicated images. These new features have caused controversy over the “loss of beauty” and “translation of Jewishness and Untranslatability,” which has affected the process of introducing the body of oriental literature to the world. We should have a reasonable and realistic attitude to the translation of Chinese autobiographical literature: the new features of Chinese autobiographical literature in the English-speaking world are precisely the product of the mediation and mediation of translators in their advancing and retreating visions. After the body literature entered the English-speaking world, it must be a new artwork that is different from the original and has its own characteristics and independent values.