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一、我国动漫策划主题的演变走向中国的早期动漫在世界上曾经处于领先位置,堪称辉煌。说到《大闹天宫》、《铁扇公主》、《三个和尚》,这些在国内几乎无人不知、无人不晓的大作在国外也有很高的知名度。从1926年万氏三兄弟——万籁鸣、万古蟾、万超尘创作中国第一部动画片《大闹画室》算起,在八十多年的时光里,国产动漫的策划主题不断地反映着社会世情和受众需求,概括起来可以分为以下几个阶段。1.朴素抒怀阶段中国动画产生初期恰逢时局动荡,战争烽火直接影响到创作者的思绪和初衷,早期动画的主题往往从古代神话传说和历史故事改编而成,借古喻今,其中更深层
First, the evolution of China’s animation planning theme to China’s early animation in the world have been in a leading position, 堪称 brilliant. When it comes to “Havoc in Heaven,” “Princess Iron Fan,” and “Three Monks,” these almost unknown and unprovoked masterpieces in the country also have a high reputation abroad. From 1926 Wanshi three brothers - Wan Laiming, Van Gundy, Wan Chaobo creation China’s first cartoon “Ravine studio” count, in more than 80 years time, the themes of domestic animation planning continue to reflect The social world and audience needs, can be summed up in the following stages. 1 simple lyric stage Chinese animation early coincides with the current turmoil, the war flames directly affect the creator’s thoughts and minds, the theme of early animation is often adapted from the ancient myths and legends and historical stories from the ancient metaphysics, of which more Deep