从一个个精心构想的画面中走出来,我仿佛一无所思,一无所获。唯有“从前有座山,山上有座庙……”的喊叫萦绕耳旁,有如月光下的松影,拂之还来;其势也时紧时徐,又冷不防巨浪似地扑来,吓人一跳。连日,我都被搅得无法安心。我对自己说,这是一部不寻常的作品,心理才舒坦些。这是一条从太阳里飘来的船,灵巧而沉重。叙事风格毫无疑问,《孩子王》是一部写意的作品,这样说并不排斥它在细节上的写实。恰恰相反,《孩子王》是极其真实的:人物、环境以及同期真实的声音。我此处借用“写意”,“写实”两个词,是与绘画中的提法不太一致的。在《孩子王》中,细节的写实经过积累,构成超出原来意义上的明显倾向的写意抒情性。因此,整个影片叙事存在强烈的抒情意味,这是创作 Come out from a carefully crafted picture, I seem to think nothing, nothing. Only “there was a hill in the past, there are temples in the mountains ... ...” shouted lingering ears, like the shadow of the moonlight, the brush back; its potential is also tight when Xu, A jump. In a few days, I have been disturbed can not feel at ease. I told myself that this is an unusual piece of work that makes me feel more comfortable. This is a boat floated from the sun, dexterous and heavy. Narrative style There is no doubt that “child king” is a freehand work, so to speak does not exclude it in the details of the realism. On the contrary, King of Children is extremely true: the characters, the environment and the real voices of the same period. Here I borrow the words “freehand brushwork” and “realistic”, which are not quite the same as those in the painting. In “The King of Children,” the details of the realism are accumulated and form a freehand lyricism that goes beyond the obvious tendency of the original meaning. Therefore, there is a strong lyricism in the narrative of the whole film, which is creation