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学界普遍认为,法兰克福学派的文艺美学思想是经典马克思主义文艺美学思想的延续与发展,但在法兰克福学派发展史上,齐美尔的影响使法兰克福学派把马克思的资本主义政治经济学批判延伸到社会学、美学、文化和艺术领域。基于文学理论、社会学、美学、艺术理论等多学科交融的视角,我们可以从文化诊断、现代性碎片、现代人形象、现代艺术审美之维和审美救赎的角度建构齐美尔与法兰克福学派的思想关联。
The academic community generally believes that the Frankfurt school’s literary aesthetics is the continuation and development of classical Marxist literary aesthetics, but in the history of the Frankfurt School, Simmel’s influence led the Frankfurt School to criticize Marx’s capitalist political economy to sociology , Aesthetics, culture and art. Based on the multidisciplinary perspectives of literary theory, sociology, aesthetics and art theory, we can construct the ideas of Simmel and the Frankfurt School from the perspective of cultural diagnosis, fragments of modernity, modern image, the aesthetic dimension of modern art and aesthetic redemption Associated.