“脚踏布鞋身穿西装”的杭州越剧——对话杭州越剧院导演展敏

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2016年对于越剧来说是特殊的一年。110年前,越剧作为浙江地方的落地唱书正式走进剧场、登上舞台,完成了戏剧的转变,也可以说到今年越剧这一戏曲剧种已经走过了一个世纪加上10年的光阴。在这110年中,越剧从纯男班时代到女子越剧,再到男女合演和女子越剧两种演出方式并行发展,让越剧一步步从嵊州走向了上海,并走向全国,今天说它是全国性的大剧种绝对是当之无愧的。不过,越剧的出生地虽然是浙江,它真正发扬光大却是在上海这个都市环境中。 2016 is a special year for Yue Opera. 110 years ago, Yue Opera, as the place for local singing in Zhejiang, formally walked into the theater, boarded the stage and completed the change of drama. It can also be said that this year Opera has gone through a century plus 10 years. In these 110 years, Yue Opera from the pure male class era to the female Shaoxing opera, then to the male and female co-opera and the female Yue opera two performances in parallel to develop, so Yue opera step by step from Shengzhou to Shanghai, and to the country, today it is national The big drama is absolutely deserved. However, although the place of birth of Yue Opera is Zhejiang, it really flourished in the urban environment of Shanghai.
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