长沙窑是唐代商业性质外销瓷窑,其将湖湘文化与外来文化糅合,生产出迎合西亚人文需求的产品并终成为唐代外销瓷大宗。本文通过将长沙窑瓷壶与西亚胡瓶的造型进行比较研究,阐明长沙窑瓷壶对域外造型“模仿—调整—创新”的过程,以此呈现这一中外文化友好往来的结晶。 Changsha kiln is the Tang Dynasty commercial export ceramic kiln, which combines the culture of Huxiang and foreign cultures to produce products that meet the cultural needs of West Asia and eventually become the bulk of the export of porcelain in the Tang Dynasty. Through the comparative study of the shapes of Changsha Kiln Pot and West Asian Flask, this paper expounds the process of Changsha Kiln pot modeling the “modeling-adjustment-innovation” in order to present the crystallization of this friendly exchange between China and foreign countries.