1945年8月15日,日本政府宣布无条件投降。在此前的半个世纪中,日本人以“圣战”、“大东亚共荣圈”等名义,向中国输送了大批移民和军人。日本投降后,约300万日侨日俘从中国回到日本。[1]在后方看似没有硝烟的战场上,如何使日俘的内心从恐惧猜疑转变为信任感激,并为和平作出贡献,成为中国军民不得不考虑的问题。在社会政治生活中,戏剧/表演不仅仅是一种隐喻,也包括对于人类情绪的重建与整合,戏剧思维和戏剧功能对身份建构具有十分重要的意义。 On August 15, 1945, the Japanese government announced the unconditional surrender. In the preceding half century, the Japanese have sent large numbers of immigrants and soldiers to China in the name of “Jihad” and “Greater East Asia Co-Prosperity Circle.” After Japan surrendered, some 3 million Japanese overseas Japanese returned to China from China. How to make the heart of a Japanese captive shift from fear and suspicion to a sense of trust and contribution to peace on the battlefield where there seems to be no smoke on the rear has become a question that Chinese military and civilian people have to consider. In the social and political life, drama / performance is not only a metaphor, but also includes the reconstruction and integration of human emotions. The functions of dramatic thinking and drama are of great significance to identity construction.