20世纪90年代初,《乐震文画集》由上海书画出版社出版,笔者曾欣然作序。至今依然记得当时的感动:乐震文的画,抒情味颇浓,看他的画,总会不知不觉地被引向苍翠的峰峦间、蜿蜒的小溪边和柔漫的云雾中。在此以前,震文已出版《怎样画树》《怎样画瀑布》《怎样写生山水》和日本版《乐震文画集》。十多年来,震文的画更具通感,更宁静、更沉稳,也更见坦诚。震文又办画展,又添画集,在山水花鸟画领域十分引人瞩目。 In the early 1990’s, “Lecture Collection” was published by Shanghai Painting and Calligraphy Press. I still remember the touching moment: Lok’s paintings are very lyrical and look at his paintings. They are unknowingly led to the verdant peaks, winding streams and soft clouds. Prior to this, Zhenwen has published “How to Draw a Tree,” “How to Draw a Waterfall,” “How to Draw a Landscape,” and the Japanese version of “Lecture Series”. For more than a decade, the painting of epicenter has more sense of sympathy, more tranquility, more stability, and more candidness. Essays and cultural relics exhibition, but also add paintings, flowers and birds in the field of landscape is very eye-catching.