“Good art knows no gender.”19世纪的女性主义批评家曾企图逃避社会机制和现实间存在的性别战争的悖论。在新的千禧年我们见证了无数才华横溢的女性创作者,她们持续影响着无数人,在这个层面上,真正做到了好艺术无关性别。20世纪以来的现代艺术领域中,女性艺术家们在POP Art,OP Art,Concept Art,Land Art,Minimal Art,Happenings和Fluxes,Performance和Body Art这些不同类型的艺术风格中都留下了独特的一笔。由于女性对“生命”的敏感性,艺术家们表现的不仅仅是人类具象的生命体,而将女性自身的包容性推及到对整个世界包容般的关怀:如对环境资源问题、人口问题等涉及人类生命与生存问题的关注,表达由“人”的层面推及到“人类”层面,以内合的审美关照体验与思考生命。女性艺术的创作动因有十分强的感性特征,倾向于描绘心中感受与切身经验,这种感性思维方式很大程度受其性别影响。总之,女性艺术都掌握在一个女性内定的心理 “The 19th century feminist critics tried to evade the paradox of gender warfare between social mechanisms and reality. In the new millennium we have witnessed innumerable talented female creators who continue to influence countless people, and at this level, they are really good at sex-irrelevant. Since the 20th century, in the field of modern art, female artists have left unique distinctions in different artistic styles such as POP Art, OP Art, Concept Art, Land Art, Minimal Art, Happenings and Fluxes, Performance and Body Art . Due to women’s sensitivity to ”life “, artists not only represent the life of human beings, but also extend the inclusiveness of women to the inclusiveness of the whole world. For example, regarding the issue of environmental resources, the population Problems and other issues related to human life and concern, expressed from the ”people “ level pushed to ”human " level, combined with the aesthetic care experience and thinking life. The creative motivation of female art has a very strong emotional characteristics, tend to depict feelings and personal experience in mind, this way of emotional thinking is largely affected by their gender. In short, women’s art is mastered in a woman’s mindset