书法批评在很多人看来就是一种从审视缺点的角度去看作品的。由于批评作品时很难做到对事不对人,所以,没有厉害关系的隔代批评也就显得比较客观公正。加上由于年份的因素,使后来的批评者能够站在一个时代的高度去看待一个书法家在当时的意义。但是,同时代的人的批评也是绝对不能缺席的,无论被 Calligraphy criticism, in many people’s view, is a way of looking at the work from the point of view of shortcomings. Since it is hard to be right when criticizing works, the criticism of every generation that does not have powerful relations appears to be more objective and fair. Coupled with the factors of the year, later critics can stand at the height of a era to see the significance of a calligrapher at that time. However, critics of the same age should absolutely not absent, either