“文革”时期带有歌颂性标题性“小提琴改编曲”成了“文革”音乐创作的主流形式。虽然这一时期的作品只能根据各地民歌、革命歌曲和传统民族器乐的旋律为素材进行再度创作,但其作曲技法和作品所要表达的思想内涵却是中国小提琴音乐创作的精华、经典所在。这些优秀的作品在保留原曲传统特色的基础上又使用了一些新的演奏技巧使得最终呈现出来的作品带着“古今中外”的韵味并在历史的长河中得到延续。 “Cultural Revolution ” period with a commendable title “Violin Adaptation ” has become “Cultural Revolution ” the mainstream form of music creation. Although the works of this period can only be re-created according to the melodies of folk songs, revolutionary songs and traditional national instrumental music all over the country, the compositions and techniques of the compositions and the connotation of the works to be expressed are the essence and the classic of Chinese violin music creation. Based on the traditional features of the original songs, these excellent works use some new playing techniques so that the final works are presented with the charm of “all ages, ages and nationalities” and continue in the course of history.