自五四以降,在激进主义挟裹下的中国戏曲改革总是在“突破”与“返回”之间承受着多种危机的挤压与煎熬。尤其是1942年毛泽东发表《在延安文艺座谈会上的讲话》之后,在对传统戏曲多次进行系统的、有组织的“破除”与“改造”过程中,传统戏曲艺术精华之所系的行当、脸谱、程式首当其冲。新时期以来,戏曲在各种“现代化”名义之下呈现的“话剧化”倾向尤为明显:强化思想内 Since the May Fourth Movement, the reform of Chinese opera under the threat of radicalism has always been under the squeeze and suffering of various crises between the “breakthrough” and the “return”. Especially after Mao Zedong published “Speech at Yan’an Literature and Art Symposium” in 1942, in the process of systematically and systematically “breaking away” and “reforming” traditional Chinese opera, the essence of traditional opera art The department, Facebook, program bear the brunt. Since the beginning of the new era, the tendency of “Dramatization” of the opera under the various “modernizations” is especially obvious: strengthening the thinking