由于“非典”,首都话剧舞台一度处于沉寂状态。但“非典”一过,它立刻恢复了活跃,先是“2003大学生戏剧节”连续演出了近30个大小剧目,继之是北京人艺于8月8日开始演出《北街南院》(编剧工俭,导演任鸣,舞美设计吴穹,灯光设计张秋春)的轰动。这个不仅让处于寂寞时期的观众从舞台上获得了精神上的愉悦,也启发我们思考了很多问题。 Because of “SARS”, the stage of the capital drama was in a silent state for a time. However, once SARS had been over, it immediately regained its vitality. First, the “2003 College Drama Festival” performed a total of nearly 30 repertory programs, followed by the performance of BeiJing Renyi on August 8 in “Nanfang NanYu” (screenwriter Work-Thrifty, director Ren Ming, Wu Qiu Wu Mei design, lighting design Zhangqiu Chun) sensation. This not only allows the audience in the lonely period to obtain the spiritual pleasure from the stage, but also inspires us to think a lot of questions.