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在中国传统的雅集活动中,艺术品展示作为其活动内容之一长期流传。到清末时期,海禁大开,中国沿海通商城市在与外界的频繁交往中迅猛发展。中国于清末数次参加的万国博览会,使国人认识到商品展示对商业发展巨大的推进作用,随之具有异质特性的商品意识首先在通商城市中开始觉醒,进而影响到社会各领域。艺术品展示也在这股意识洪流中发生了新的嬗变,新的展示方式从士大夫阶层的雅集中破壳而出,在商品化与大众化的社会发展趋势中逐步地向公众开放,完成了它由私密到公开的裂变。本文将对这个裂变过程及相关原因作简要的分析。
In the traditional Chinese-style activities, art displays have long been circulated as one of its activities. By the late Qing Dynasty, the ban on sea banned the rapid development of China’s coastal commercial cities in their frequent contacts with the outside world. The World Expo that China participated in several times in the late Qing dynasty reminded the people that the display of merchandise was a huge impetus to the development of commerce. As a result, the awareness of merchandise with heterogeneous characteristics began to awaken in commercial cities and affected all areas of society. The display of artwork has also undergone a new evolution in the flood of consciousness. The new display mode has been broken out of the elegant collection of scholar-officials and gradually opened up to the public in the trend of commercialization and popularization of society. It has completed its From private to public fission. This article will briefly analyze the fission process and related causes.