“文艺研究必须成为一种系统的知识,成为一种探索结构、规范、功用的努力。这些结构、规范、功用包含价值而且本身就是价值。”如果说对于文学研究,这种观点只是一家之言,那么,对于文艺美学研究则几乎成为一种找识。理论体系的创造和系统方法的运用,是任何一部美学专著所面临的最为可能占举足轻重地位的考验。正是从这个意义上审察,《马克思主义文艺美学基础》一书(赵宪章主编,佴荣本副主编,下简称《基础》,可谓近年来同类著作中的佳品。马克思主义文艺美学是否有自身的体系,如果有,其构成形态又是如何,历来众说纷纭。《基础》立足于充实丰富的资料积累和严谨的逻辑论证,辨析了马克思、恩格斯的美学理论体系和整个 “Literature and art research must become a systematic knowledge and become an effort to explore structure, norms, and functions that contain and are themselves values.” If this view is just one statement for literary studies, then , For literary aesthetics is almost become a find. The creation of a theoretical system and the application of systematic methods are the most probable tests of any aesthetic monograph. It is in this sense that the book “The Foundation of Marxist Literary Aesthetics” (edited by Zhao Xianzhang and editor-in-chief of Zerong, referred to as “foundation” for short, can be described as the best of its kind in recent years.) Does Marxist Literary Aesthetics have its own Has always been divided on the basis of abundant and abundant data accumulation and rigorous logical argumentation, and has analyzed the theoretical system of aesthetics of Marx and Engels and the whole