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都道是:关夫子爱说“过五关、斩六将”,不愿提“夜走麦城”。不论谁,必然都爱谈顺心事。拿我来说:50年代说起我们创成的曲剧来,眉飞色舞;如今来谈,总像一碗精白的米饭里混进沙子,心里有些堵得慌。其原因就在于那时侯曲剧蒸蒸日上、欣欣向荣,眼下,颇有日落西山之感。在当前传统戏曲普遍遭受噩运之时,曲剧这个后生之辈的不佳处境,也超过了老大哥。但是,该说咱们还得说。
Road is: Guan Zi love that “five customs clearance, cut six will”, unwilling to mention “Night Walk Mai City.” No matter who, must love everything. Take me for example: In the 1950s, when we talked about the melodrama we had created, it was full of colors; nowadays, it always looks like a bowl of fine white rice mixed with sand, and my heart is somewhat blocked. The reason is that at the time drama is thriving, thriving, right now, quite a sense of sunset Western Hills. At a time when bad luck is commonly encountered in traditional Chinese operas, the poor situation of the later generation of the opera also surpassed Big Brother. But let’s say we have to say that.