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在故宫博物院所藏佛像中,有种名为“白上乐”的佛像,双身、一面两臂,男尊两手各持一宝瓶,交叉于胸前并拥抱明妃,明妃两手均持颅碗。这些上乐像均为清宫旧藏,且样式并不常见。通过查看各种佛教图像集成,发现与之相同的白上乐,只见于《三百佛像集》和《诸佛菩萨圣像赞》。再通过阅读文献,得知清宫白上乐主要用于长寿修法。同样用于长寿修法的白上乐,在《五百佛像集》中也有一尊,其身形与清宫白上乐完全不同。两尊功能相近的白上乐,却显示出相异的图像特征。清宫所藏白上乐来自何处?因何出现在清宫之中?又与《五百佛像集》中的白上乐有何异同?针对以上问题,本文进行了详细的探讨。
In the collections of Buddha statues in the Palace Museum, there is a statues named “white music ”, double, arms, male hands holding a treasure bottle, cross the chest and hugged Princess, Ming Fei hands All cranial bowls. These are like Shang Palace Qing possession, and the style is not common. By looking at various Buddhist image integrations, it was found that the same white music was found only in the “Three Hundred Buddha Statues” and “All Buddhas and Bodhisattvas”. By reading the literature, I learned that Qing dynasty music was mainly used for longevity cultivation. The same white music used for longevity cultivation law, in the “five hundred statues of Buddhism” also has a respect, its body shape and pure white music completely different. Two similar functions of the white music, but show different image features. What is the origin of the music in the Qing Dynasty? What is the similarities and differences between the Qing Dynasty and the Five Dynasties in the Qing Dynasty? In view of the above problems, this article discusses in detail.