我十三岁时拜王先芳老师学评戏。因为我六岁起就跟堂姐学京戏,发声用小嗓,可学评剧要用本嗓,所以发声就要变位。由于变位技术掌握不好,老师经常打我,我不服,因为我对他的唱法有看法。 老师是男旦,憋着嗓子发声,连脖子上的肉都绷紧了,当时很多男旦老师也这样发声,而且要求我们女孩唱尖声高腔要像他们一样,看到姐妹们挤着声音绷着脖子调嗓子,有的高到乐器最高的 When I was thirteen, I astonished at Wang Xianfang’s teacher learning drama. Because when I was six, I learned Beijing Opera with my cousin and pronounced it with a small voice. As the displacement of technology is not good, the teacher often hit me, I am not satisfied, because I have a view of his singing. The teacher was a male den, sobbed his throat and even the meat on his neck was taut. At that time, many boys’ teachers made such a noise, and they asked our girls to sing high-pitched cavities like them and saw sisters crowded with sound Tone his neck, and some high to the highest instrument