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根据以往惯成的审视中国传统山水绘画的感官经验,我们总会要求画作的气脉贯通以及苍润的山水气象和例成的三远观点,这或许是源由李唐或者是宋代其他画家所表率出来的最初画风,到了元代则蔚然成风。古代画论中的诸多论家论点亦对此作出了高度的理论规导。在这里韩国栋的绘画则可评为出入传统绘画理论法则之外的具有幻象效果的个人构成作品。
According to past sensuous experiences of examining traditional Chinese landscape painting, we always ask for the vein of art and the three-dimensional viewpoint of Cangrun’s landscapes and examples. This may be the result of Li Tang or other artists in the Song Dynasty Out of the original style, to the Yuan Dynasty is a common practice. Many theorists in ancient painting theory also made a high degree of theoretical guidance on this issue. Here, the painting of South Korea’s Dong-dynasty can be regarded as an illusionary composition of personal composition that goes beyond the traditional theory of painting.