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车尔尼,这个名字在今天众多音乐学习者和爱好者的心目中,他仿佛不是一个人名,而是一个钢琴艺术的符号。是的,车尔尼及其贡献,对于整个世界的钢琴教育,的确有着太深远的影响。作为一个钢琴家、教育家和作曲家,车尔尼的艺术成就是多方面的。他一生的创作包括交响曲、协奏曲、奏鸣曲、室内乐、宗教音乐在内的各种形式,体裁多样,数量惊人,作品逾千部。但比起其它作品,其钢琴练习曲显然有着更为持久的影响力。其作品599、849、299、740等等,习琴者无人不晓。是上天注定要他作为一个钢琴教育家而名垂青史。车尔尼曾是贝多芬的钢琴弟子,但在作曲方面,车尔尼或许难以达到贝多芬心目中的理想。然无论怎样,贝多芬将自己辉煌的第五钢琴协奏曲的首演交给这位学生,足可见对这位
Czerny, the name in today’s many music learners and enthusiasts in mind, he seemed not a single name, but a symbol of piano art. Yes, Czerny and his contributions have had far-reaching effects on piano education throughout the world. As a pianist, educator and composer, Czerny’s artistic achievements are manifold. His life’s creation includes various forms including symphony, concerto, sonata, chamber music, religious music, various genres, astonishing number of works. But its piano practice is clearly more lasting than any other work. His works 599,849,299,740 and so on, Xiqin everyone unknown. It was God who was destined for him as a piano educator and a name for history. Chernihov was Beethoven’s piano disciple, but in composition, Czerny may not be able to reach the ideal of Beethoven. No matter what, Beethoven handed his brilliant fifth piano concerto premiere to this student, enough to see this