小引上世纪80年代是我国人文精神初步复兴的年代。我所在的作家出版社再版了为历史埋没多年、胡风派作家路翎的长篇小说《燃烧的荒地》,我又选编了他的《路翎小说选》,还为选集写了序(对于序,他是满意的)。随着我对路翎了解的深入,并且沿着他走过的路走了一遍,如苏州、南京、重庆各地,希望写作路翎传记的想法也就越来越浓。路翎对我写传记十分支持。他说,他的记忆不好,手边又没有资料。他让我去找梅志,他给梅志写了一封信,让我交给她,说,一定会得到帮助的。由此开始,我采访了能找到的路翎所有的朋友,很幸运的还找到了路翎的长篇小说《财主底儿女们》的主人公原型蒋继三,获得了许多不为人知的东西。我又查阅了能够找到的所有有关路翎的资料,可以说我对他的一生基本把握,只是监狱那段有些模糊,虽然听取了一些当事人的叙述。于是我请路翎 Small lead the 1980s is the era of the initial revival of our humanistic spirit. My writer’s press reprinted many years buried in history. The novel “Burning Wasteland” written by Lu Feng, a writer of Hu Feng School, also selected his “Luling Novels” and wrote an order for the anthologies , He is satisfied). With my understanding of Lu Ling in-depth, and walked along the way he walked over again, such as Suzhou, Nanjing, Chongqing, hope that the idea of ​​writing Lu Ling biography will be more and more concentrated. Lu Ling wrote a biography of me very supportive. He said his memory was not good and there was no information at hand. He asked me to go to Mei Chi. He wrote a letter to Mei Chi that let me give it to her and said that he will certainly get help. From the beginning, I interviewed all the friends of Luling who I could find, and I was fortunate to find Jiang Jiesan, protagonist of Lu Ling’s novel “The Mother of the Fortune”, and gained many unknown things. I consulted with all the information I could find about Luling. I could say that I had a basic grasp of his life, except that the prison was somewhat vague, though it heard some of the parties’ narrative. So I asked Lu Ling