自传体小说不宜过度经营,否则伤其本真。黄永玉在《无愁河的浪荡汉子》里把这种经营转化到意旨层面,文本的沉淀层很厚,有很多伏笔,信息密度大,意旨深,审美要素丰富。继“朱雀城”之后,“八年”背景更为复杂,他浸泡在闽南的人文风俗和新式教育中,同时也在战地服务团经历了严酷的抗日战争。他通过自传体小说,从世俗生活中提炼深度,通过生活中的逻辑来塑造自己、反叛自己,最后建立一种自在人格。 Autobiographical novels should not be over-operated, otherwise hurt its true. Huang Yongyu in the “No Worries River Swinger” this kind of management to the level of meaning, the text of the sediment is very thick, there are many hints, information density, meaning deep, rich in aesthetic elements. After “Suzaku City”, the background of “Eight Years” is more complicated. He immersed himself in the customs and new education in Minnan and also experienced the harsh Anti-Japanese War in the Field Service. Through autobiographical novels, he draws depth from worldly life, shapes himself by the logic of life, rebukes himself and finally establishes a kind of free personality.