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1996年10月,在第四届中国(湖南)映山红民间戏剧节期间,中国戏曲学会与湖南省文化厅、湖南省戏剧家协会、中国(湖南)映山红民间戏剧节组委会共同召开了中国民间戏剧研讨会。现在选刊研讨会的部分论文以飨读者。这些论文介绍了山东、山西、河南、浙江等地民间戏剧活动的状况,比如山东京剧票房的悠久历史和当前的活力,河南业余剧团的数量猛增,浙江嵊县投考越剧学校的超过万人,获文华大奖的川剧现代戏《山杠爷》为山西民营剧团广泛演出等等,恐怕都是人们较少了解的。作者们从戏曲史和现实中引发出关于戏剧现状与发展前途的思考,也可给我们以新的启示。
In October 1996, during the Fourth China (Hunan) Ying Shan Red Folk Theater Festival, the Chinese Opera Society and the Cultural Affairs Department of Hunan Province, the Hunan Dramatists Association, and the organizing committee of the China (Hunan) Theater seminar. Selected essays from the current essay seminar are now available to readers. These essays introduce the status of folk theater activities in Shandong, Shanxi, Henan and Zhejiang, such as the long history and current vitality of the Shandong Peking Opera box office. The number of Henan amateur theater groups surged, more than 10,000 were cast in Yue County, Zhejiang Province, Wenhua won the Sichuan Opera modern drama “Hill Club” for Shanxi private theater performances and so on, I am afraid that people are less understood. From the history and reality of the opera, the authors have given rise to thoughts on the status quo and development of the theater, but also give us new revelations.