电视的本质是写实的,相对来说,电视艺术片写境比较容易,而造境比较困难,但我们这一代人区别于上一代人的标志之一,恰在写境与造境上。看一位电视艺术家能否造境,不仅看对每一个画面、每一个章节的营造,而且要看他对某个题材的整体创造意识。因为生活在中国西部,加上对中国传统文化有些思考,所以总想在电视艺术片中造一点“蛮荒悲壮之美”。这种美并不完全等同于狭义上的陌刚之美。当然,仅仅是边塞诗式的西部雄风还不够,主要还要使之与时代精神相融合,提炼出 The nature of the television is realistic. Relatively speaking, it is easier to write a piece of television art film than to create a country environment. However, one of the symbols of our generation different from that of the previous generation is just the environment of writing and creating environment. Seeing whether a TV artist can create a situation can not only look at the creation of each picture and every chapter, but also look at his creation of a certain theme. Because living in western China, coupled with some thinking of traditional Chinese culture, so always want to make a little bit in the TV art film “Wild and tragic beauty ”. This kind of beauty does not exactly equate with the narrow street beauty. Of course, it is not enough for the frontier poets to win the glory of the western part of the country, but mainly to integrate it with the spirit of the times to extract