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在《慢人》中,作者匠心独运地把现实主义小说和元小说这两种完全不同的创作模式结合起来,将各种小说流派存在的界限打破了,而且对作者的叙述权威进行了消解,一方面使得文本与读者摆脱了作者的权威,另一方面构建出作者和人物之间的平等对话,赋予小说的情节和小说人物自主的地位。这种既矛盾又相互依存的新型关系深刻地体现出库切在创作伦理上的大胆探索。库切还用这种独特的写作手法探讨了双重主题。一方面,是关注后现代社会普通人面临的
In “Slow Man”, the author combines the two totally different modes of creation, realism and meta-fiction, to break the bounds existing in the schools of various novels and to eliminate the author’s narrative authority On the one hand, it makes the text and the reader get rid of the author’s authority. On the other hand, it constructs the equal dialogue between the author and the character, and gives the novel the plot and the independent status of the novel. This new type of relationship, which is both contradictory and interdependent, profoundly expresses Coetzee’s bold exploration in creative ethics. Coetzee also explores the dual theme with this unique writing technique. On the one hand, it is concerned about the ordinary people in post-modern society