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人体摄影并非简单地归结为美的表达,它应该能够通过光影、线条和自然形态塑造一种动态的观感,绝非以裸露和感官冲击为媒介。从这个角度出发,这两幅作品恰恰能够很好地表现出某种动态之美。从光影角度看,作品以柔和的光线和简明的构图创造了色差分明但匀称自然的影像,传达出了典雅、简约和空灵的光影流动之美;从形体表现上来说,用人体看似并不自然的延展,构筑了一种紧张感,使得整体画面充满了张力,以静喻动,拉伸了时间维度,让静态的影像变成了动态的画作;整体艺术风格自然、唯美,处处透出摄影师的苛刻艺术追求。
Human photography does not simply boast the expression of beauty, it should be able to create a dynamic perception of light and shade, lines and natural forms, not by nakedness and sensory impact. From this point of view, these two works can precisely show some dynamic beauty. From the light and shadow perspective, the works create a clear and uniform image of natural colors with soft light and concise composition, and convey the elegant, simple and ethereal light and shadow flowing beauty; from the perspective of physical expression, it is not natural to see the human body Of the extension, to build a sense of tension, making the whole picture is full of tension, to the static and dynamic, stretching the time dimension, so that the static image into a dynamic picture; the overall artistic style of natural, aesthetic, everywhere reveals photography Teacher’s harsh artistic pursuit.