就思维方法而言,达·芬奇善于通过眼与手穿透蕴含于人的身体之中的精神,这种方法带有鲜明的“直观思维”的特征。当他试图以可见的形式显示那不可见的“大全”(“超越存在”)时,他的绘画也便成为沟通“感性的真实”与“真正的真实”的中介;就思维内容而言,达·芬奇将宇宙视为一个充满力量的有机体,认为太阳乃是一切能量的来源,现实世界终有一天会因能量耗尽而走向终结,在这一进程中,只有人才能在自身的精神中体验死亡与承担死亡。当他以这种“活力论”的世界观来从事艺术活动时,他不仅描绘了世界末日的情景,而且呈示了人在这一“临界处境”的威逼下所面临的诸种机遇,认为人有能力通过模仿自然界的形式并产生新的形式来洞察世界的根基,并借助于艺术创造来显示这种根本性的东西;就存在方式而言,达·芬奇善于以画家的身份进行反思,并将这种通过直观获取根本知识的画家生活视为个体在世界之中赢取自身自由的高尚生活。在他看来,真正的画家不仅需要认知,而且需要行动,不仅需要认真与勤奋,而且需要倾注其全部的爱;就性格特征而言,达·芬奇无疑是一位赋有理性精神的艺术家。不过,当他向着那无所不包的“大全”(“超越存在”)不断趋赴时,依然面临着“生存”的深渊。为此,他使自己的生存自始保持着某种开放的局度,并把那些“未完成”的艺术品转换成一种指向“大全”(“超越存在”)的“密码”。从生存哲学的视域看,这种作为“密码”的艺术已成为哲学的器官,达·芬奇也因此成为一位艺术家中的哲学家。 As far as the method of thinking is concerned, Leonardo da Vinci is adept at penetrating the spirit contained in the human body through eyes and hands. This method is characterized by a distinct “intuitive thinking.” When he tries to visualize the invisible “Daquan” (“Surpassing Being”) in a visible form, his painting becomes the communication “perceptual reality” and “true reality” Intermediary; In terms of thinking, Leonardo da Vinci views the universe as a powerful organism. He believes that the sun is the source of all energy. The real world will eventually come to an end due to energy depletion. In the process, Only people can experience death and bear death in their own spirit. When he engaged in artistic activities with this “vitality theory” of world view, he not only portrayed the doomsday scene but also presented the opportunities that people faced under this “critical situation” , Believes that man has the ability to understand the foundations of the world by imitating the forms of nature and creating new forms and to show such fundamental things by means of artistic creation. In terms of the way of being, Leonardo da Vinci is adept at using painter’s identity Reflecting on this, the artist’s life, which is obtained through intuitive acquisition of fundamental knowledge, is seen as an individual’s noble life of winning freedom in the world. In his view, the real painter needs not only cognition but also action, not only seriousness and diligence, but also the devotion of all his love. As far as character is concerned, Leonardo da Vinci is undoubtedly an artist with rational spirit . However, as he continues toward the all-encompassing “Encyclopedia” (“Existence beyond”), he still faces the abyss of “survival.” For this reason, he has kept his own existence open for some time and transformed those “unfinished” works of art into a kind of “dynasty ” ( “beyond”) “password”. From the perspective of the philosophy of existence, this art of being a “password” has become an organ of philosophy and Leonardo da Vinci has therefore become a philosopher among artists.