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80年代以来,影视题材向历史倾斜的态势日趋昭著,从《秦王李世民》开始,《杨家将》、《垂帘听政》、《火烧圆明园》、《战国风云》、《唐明皇》、《武则天》、《西楚霸王》等相继登台亮相。据悉,《东周列国志》(60集)、《大秦帝国》(60集)、《水浒》(60集)、《隋唐演义》、《成吉思汗》、《秦颂》、《鸦片战争》、《荆轲刺秦王》等已经或将要投拍。一时间,历史题材热透中国影视,现实题材片虽然艰难支撑,仍旧无法与之抗衡。影视历史热为何会出现在改革开放后的十几年并呈现为高峰状态? 怀恋与逃避 如果重复那句著名的文艺经典理论:艺术是生活的反映。无疑,80年代以来的中国社会现实比诸
Since the 1980s, the subject matter of film and television has become more and more incongruous toward history. Beginning with “The King of Qin” and “Li Shimin,” “Young Advocates,” “Vertical Blind Listening to Government,” “Fire Yuanmingyuan,” “Warring States Period,” “Emperor Ming,” “Empress Wu Zetian, ”West Chu King“ have appeared on stage. It is reported that the ”National Order of the Eastern Zhou Dynasty“ (60 sets), ”The Qin Empire“ (60 sets), ”Water Margin“ (60 sets), ”Sui and Tang Dynasties“, ”Genghis Khan,“ ”Qin Song“, ”Opium War“ Thorn Qin Wang ”has been or will be shot. For a time, the history of hot subjects through the Chinese film and television, although the difficult reality of the film support, still can not compete with it. Why does film history appear in the ten years after the reform and opening up and peak status? Nostalgia and escape If you repeat the famous literary classics theory: Art is a reflection of life. Undoubtedly, the social reality in China since the 1980s is better than that of other countries