过士行的新作《厕所》未及上演就已经被媒体炒热,“‘蹲着’的《茶馆》”的评论、现场“施工”的悬疑的噱头、令人咋舌的“粗口”等,让过士行再次成为话剧界的焦点。与其1989年至1998年间创作的《鱼人》、《鸟人》、《棋人》等“闲人三部曲”和《坏话一条街》的精神实质一脉相承,《厕所》是惯于“以悖论的眼光看待人的生存困境”的过士行再次以悖论的眼光对周遭世界的打量。在“闲人三部曲”和《坏话一条街》里,过士行着重关 His new work, “Toilet”, has not been staged before the media has been hot, “” squatting “Teahouse” comments, site “Construction” suspense gimmick, staggering “foul language”, etc. Once again, the business trip has become the focus of the theater industry. In the same vein as the spirit essence of “idler trilogy” and “bad street” created by his “fish man”, “bird man”, “chess man” from 1989 to 1998, “toilet” is accustomed to “ Look at the plight of people’s survival, ”the Tripitaka once again paradoxically looked at the world around him. In the “idler trilogy” and “bad street”, a good deal of importance