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“僧道”形象在明代白话短篇小说中开始出现丑恶败德的一面,不仅反映了诈伪丛生的社会现实,也为古代白话短篇小说提供了新的创作题材。“僧道骗”成为了白话短篇小说新的创作题材,不仅开拓了白话短篇小说的情节内容,也塑造了概念化的僧尼道徒,反映了儒家知识分子对宗教世俗化的态度。
“Monk ” image began to appear in the Ming Dynasty vernacular short story of the ugly side, not only reflects the social reality of fraud, but also for the ancient vernacular short story provides a new creative theme. “Monk cheat ” has become the new creation subject of vernacular short stories, which not only opens up plot contents of vernacular short stories but also conceptualizes monasticism and nun who reflects the attitude of Confucian intellectuals towards secularization of religion.