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研究者多将20世纪20年代乡土小说作家对故乡“民俗”的呈现视为是一种客观写实性反映,却忽略了乡土小说创作与这一时期“民俗”概念的引进、作家“民俗”视野的建构之间的互动关系,究其底乃是对“民俗”这一概念的历史性缺乏敏感。因为“民俗”是一个现代概念,把故土的种种行为方式、生活习惯视为“民风民俗”来进行写作和评论乃是一种现代性现象。对“民俗”视野建构过程的分析将深化对乡土小说现代性内涵的认识。
Researchers mostly regard the presentation of hometown “folklore ” as a kind of objective realistic reflection by local novel writers in the 1920s, but neglect the introduction of local novel creation and the concept of “folklore” during this period. The writer “Folk ” visual field of the interaction between the construction, but the end is on the “folk” concept of historical lack of sensitivity. Because “folklore” is a modern concept, it is a modern phenomenon to regard writing and commenting on the homeland’s various behaviors and living habits as “folk customs and folklore.” The analysis of the construction process of “folk custom” will deepen the understanding of the connotation of the modernity of the native novels.