不可否认,书画鉴定的从业者们多是依循传统延续性的某种操作程序与行为方式来展开工作。缘于历代的鉴定家有“流派”之别,故当今鉴定人在具体操作时的工作思路和着眼点上也往往带有明显的“个性色彩”,不过大家的主观目的无疑都是为了鉴定结论的准确与工作的高效率。 It is undeniable that the identification of calligraphy and painting practitioners are mostly follow the traditional continuity of some kind of operating procedures and behavior to work. Due to the “genre” of different appraisers of different ages, appraisers often have obvious “individuality” in their work ideas and points of view at the time of concrete operation, but no doubt their subjective intent is to appraise the conclusion Accurate and efficient work.