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正在进行的“乌托邦·异托邦”乌镇国际当代艺术邀请展,无疑是国内上半年最吸引眼球的展事,经历了三年的策划与准备,水乡古镇与当代艺术在江南相遇。从理念萌发到展览落地,所有对“乌托邦”展览的怀疑与期待都云开雾散,穿行于北丝厂和西栅景区,当代艺术展示空间的置换和椰位,呈现了一种别样的文化景观。“乌镇模式”是否真的是一种理想主义的小镇文艺复兴?当代艺术在乌镇的发生与发展会给当下的艺术生态带来何种变化?这些都是值得思考的问题。本期,我们专访了“乌托邦·异托邦”总策展人冯博一,聊一聊这场理想主义的展览。
Ongoing “Utopia, Heterogeneous State” Wuzhen International Contemporary Art Invitational Exhibition is undoubtedly the most eye-catching exhibition in the first half of the year in China. After three years of planning and preparation, the water town meets the contemporary art in Jiangnan. From the germination of ideas to the exhibition floor, all doubts and expectations about the exhibition “Utopia” are scattered in the fog and scattered through the North Silk Factory and Xizha Scenic Area. The replacement of contemporary art exhibition space and the coconut level present a distinctive Kind of cultural landscape. “Wuzhen model ” is really an idealistic town Renaissance? What is the change of the contemporary art ecosystem caused by the occurrence and development of contemporary Wuzhen? These are all worth thinking about. In this issue, we interviewed Feng Boyi, the chief curator of Utopia and Isotope, to talk about this idealistic exhibition.