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2004年的冬天,我第一次看到了李晓南的摄影集《江源玉树》。在那个海风狂舞的冬天的晚上,我被一种强烈的温暖击中。那些绝美的风景经由李跷南的眼睛抵达了我的视域,于我,已经不仅仅是一幅幅摄影图片,而是我梦想的家园了。我想,那也同样是李晓南的家园。李晓南常年辗转于他那心灵的圣地,每一个镜头里的自然,都是他朝圣般的虔诚和敬意得以负载的宿命。城市对于他而言,是他身体的栖息地,惟有这些
In the winter of 2004, for the first time, I saw Li Xiaonan’s photography collection “Egg of Jiang Yuan”. I was hit by a strong warmth on the evening of the sea breeze dance. Those beautiful scenery arrived at my sight through the eyes of Lee Dong Nam. It has been more than just a photographic picture for me, but my dream home. I think it is also the home of Li Xiaonan. Li Xiaonan peered around in his spiritual holy year after year, and the nature of every shot was the fate of his pilgrimage-like devotion and respect. For him, the city is the habitat of his body, and only these