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王国维说过:“为文如造屋。”如果将写作比作盖房子,那么首先要考虑两个问题:一是用什么盖房子——题材;二是怎么盖房子——技法。同学们写记叙文往往会搜肠刮肚,去寻觅新鲜的题材,以为有了好故事就有了好文章。殊不知“仅有题材是无用的,要写成作品就非有熟练的手腕不可(夏丏尊、叶圣陶《文心》)”。古人说,做人贵直,作文贵曲。品读优秀的作品,你会发现,高明的作者总会匠心独运,用“熟练的手腕”让记叙变得波澜起伏,为读者构筑起了曲折有致的作文华屋。
Wang Guowei said: “If you compare writing to build a house, then the first question to consider two questions: First, what to build a house - theme; second is how to build a house - technique. Students write narratives tend to search intestines, to find fresh topics, that there is a good story there is a good article. Everyone does not know ”Only the theme is useless, to write a work on non-skilled wrist not allowed (Xia Yuzun, Ye Shengtao“ Wen Xin ”). The ancients said, Guishenggui, writing your song. Reading good works of art, you will find that clever writers always work together, with “skilled wrist ” so that the narrative has been ups and downs, for readers to build a twists and turns of the composition of Hua Wu.