论文部分内容阅读
2010年,当中央音乐学院手风琴专业学子许笑男、王寒之相继在意大利罗马MIDI手风琴大赛披金戴银,MIDI巴扬手风琴亮相上海世博会闭幕式舞台,CCTV全球春晚MIDI手风琴展飒爽英姿,以及天津音乐学院首开MIDI手风琴专业先河等众多音乐事件相继登台亮相后,沉寂多年的手风琴艺术再燃复兴之火。遥想当年,《西班牙斗牛舞曲》、《马刀舞曲》、《拉德茨基进行曲》等经典手风琴曲目,百姓耳熟能详,但是何种因素让这些经典与百姓的音乐生活渐行渐远,普及手风琴市场为何一度在低谷徘徊,音乐高校如何调整学科建设与教育思路,培养符合文化市场需求的手风琴艺术人才?着实是一个市场培育和普及教育的棘手问题。
In 2010, when Xu Hanan and Wang Hanzhi, accordion majors of the Central Conservatory of Music successively made their debut at the MIDI Accordion Contest in Rome, Italy, the MIDI Bayan Accordion appeared at the closing ceremony of the Shanghai World Expo, the CCTV Spring Festival Midi MIDI Accordion Festival and the first opening of the Tianjin Conservatory of Music MIDI accordion professional precedent and many other music events have appeared on stage one after another, the quiet years of accordion art reburning fire. Back then, classic accordion tracks such as “Spanish Bullfighting”, “Saber Dance” and “Radetzky March” were well known to the public, but what made these classics and people’s music life drifted away and the accordion market popularized? Once hovering in the trough, how to adjust discipline construction and education ideas in music colleges and universities and train accordion talents in line with the needs of cultural markets? It is indeed a thorny issue in market cultivation and popularization education.