由民歌改造而新编群众歌曲是实现战时延安文化策略的一个更为理想的模式,因为它不仅可以将本该列为革命对象的旧文化因子吸纳到自己的体系里,甚至可以附着其上,假其而行革命之道;而且经过持续的实践证明,这是更能够被老百姓认同的抒情表意方式,既给老百姓带来了文化娱乐,又在潜移默化中使“革命”内容与政党意识得以传播与接受;可以认为,这是现代中国独特文化语境中的先锋艺术实验运动。 It is a more ideal model to realize the cultural strategy of Yan’an in wartime because of the transformation of folk songs and new mass songs because it can not only absorb the old cultural factors that should be listed as the object of revolution into its own system, , And fake it in the way of revolution; moreover, it has been proved through practice that it is a lyrical way of expressing ideology that is more recognized by ordinary people. It not only brings cultural entertainment to the common people, but also subjugates the content of “revolution” and political parties Consciousness can be spread and accepted. It can be considered that this is a pioneering art experimental movement in the unique cultural context of modern China.