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本文旨在从全球化进程已充分展开的当下视野,把电影形态作为现代性经验形式的象征呈现加以重新审视。电影艺术产生于垄断资本主义时期,这一时期全球化进程已获得极大推进,同时这也是一个全球分裂的进程,现代人情感与认知的经验碎片不再能组织起一个完整的世界图景;而以蒙太奇为本体论特征的电影艺术,作为一种叙事的努力,作为一种想象性的解决,则可以被视为重新整合、连缀起这幅世界图景的拼图游戏。
The purpose of this paper is to re-examine the cinematic form as a symbolic representation of the modern experience form from the current perspective that has been fully developed in the process of globalization. The movie art came into being during the period of monopoly capitalism. During this period, the process of globalization has been greatly advanced. At the same time, this is also a process of global division. The modern experience of the emotion and cognition can no longer organize a complete picture of the world. The art of film with montage as an ontological feature, as a narrative effort, as an imaginative solution, can be seen as a puzzle game that has been reintegrated and endorsed with this world picture.